Aura Rosenberg
* 1949, New York City (New York), Spojené státy (United States)
Photographer
nationality: American
sex: female
NK AUT: jx20050318009
Aura Rosenberg
BIOGRAPHY
Solo Exhibits
2008 Sassa Trülzsch, Berlin, Germany
2006 Sassa Trülzsch, Berlin, Germany
2003 Kathe Kollwitzplatz Lightbox Project, Berlin, Germany
2002 Klemens Gasser and Tanja Grunert Gallery, New York, NY
Galerie 20/21, Essen, Germany
2001 daadgalerie, Berlin, Germany
1998 Wooster Gardens, New York, NY
Windows, Brussels, Belgium
1997 Richard Telles Fine Arts, Los Angeles, California
1996 Art and Public, Geneva, Switzerland
Wooster Gardens, New York, NY
Galerie Moussion, Paris, France
1994 Galerie Martina Detterer, Frankfurt am Main, Germany
1993 Likorfabrik, Kunst-Werke Berlin, Berlin, Germany
Kunsthalle St. Gallen, St. Gallen, Switzerland
1989 White Room, White Columns, New York, NY
Selected Group Exhibits
2008 Darkside, Fotomuseum Winterthur, Zürich, Switzerland
Degrees of Remove: Landscape and Affect, The Sculpture Center, Long Island City, NY
Shot Spot, Geoffrey Young Gallery, Great Barrington, MA
Too Hot Not to be Naked, Sassa Trülzsch, Berlin, Germany
Black Noise/Exit Dark Matter, cneai = centre national de l'estampe et de l'art imprimé, Chatou, France
2007 Black Noise, MAMCO, Musee d'art Moderne et Contemporain, Geneva, Switzerland
Stundenbuch-The Book of Hours, Sassa Trülzsch, Berlin, Germany
Neointegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY
The Friends' Meeting,, Sassa Trülzsch, Berlin, Germany
ev+a, curated by Klaus Ottmann, Limerick, Ireland
2006 Exquisite Corpse, (curated by Bob Nickas), Mitchell Algus Gallery, New York, NY
The Bong Show or This Is Not a Pipe, Leslie Tonkonow Artworks + Projects, New York, NY
Into Me/Out of Me, curated by Klaus Biesenbach, P.S.1 Contemporary Art Center, Long Island City, NY,
traveled to KW Institute for Contemporary Art, Berlin, Germany, and
Macro Museum of Contemporary Art, Rome, Italy
Screening, Jeffrey Charles Gallery, London, England
Dark Places, curated by Joshua Dector, Santa Monica Museum, Los Angeles, CA
2005 Alle-Gory, (curated by Laurence Rickels), Mandarin Gallery, Los Angeles, CA
Helden für Heute, CentrePasquArt, Kunsthaus Centre d'art, Biel Bienne, Switzerland
Baroque and Neo Baroque, The Hell of the Beautiful, Domus Artium 2000, Salamanca, Spain
The Zine Unbound: Kults, Werewolves and Sarcastic Hippies, curated by Trinie Dalton, Yerba
Buena Center, San Francisco, CA,
Black Noise, A memorial comic book project for Steven Parrino, initiated by John Armleder,
Amy Granat and Mai-Thu Perret, Ecart Booth, ArtBasel
Blick auf Carmen (Seeing Carmen), Landesmuseum Joanneum, Graz, Austria
Face Value, (curated by Suzanne Anker), New York Academy of Science, New York, NY
2004 Das Wunder Mensch/Parameter of Life- International Photography, Museum of Modern Art,
Passau, Germany
FACE TO FACE The F.C. Gundlach Collection, Langhans Galerie Prague, Czech Republic
Wo liegt Berlin? Fotographische Annäherungen an eine Stadt (Where is Berlin? Photographic
Approaches to a City), Brotfabrik Galerie, Berlin, Germany
Made in Berlin, curated by Zdenek Felix, Artforum, Berlin, Germany
Aufruhr der Gefühle. Leidenschaften in der zeitgenessischen Fotografie (Passion in Contemporary Photography), Photo Museum Brauschweig, Braunschweig, Germany; traveled to Kunsthalle Goppingen, Goppingen, Germany
Writing Images Ideas: Walter Benjamin and the Art of the Present Day, (curated by Prof.
Dr. Detlev Schettler and Barbara Straka), Haus am Waldsee, Berlin
I am the Walrus, (curated by Jan Avgikos), Cheim & Read Gallery, New York, NY
Maternal Metaphors, (curated by Meryl Chernick), Rochester Contemporary, Rochester, NY
Beyond Compare: Women Photographers on Beauty, Ogilvy & Mather for Dove,
Toronto, Canada, travels to Edmonton, Calgary, Vancouver, Montreal, Ottowa
bb3 (Berlin Biennale 3), Martin Gropius Bau, Berlin, Germany
Fotografie 2, Produzentengalerie, Hamburg, Germany
2003 Antonio Cardillo, Varese, Italy
A Clear Vision: Photographic Works from the F.C. Gundlach Collection, Deichtorhalle,
Hamburg Germany
Fast Forward: 20 Years of White Rooms, White Columns, New York, NY
Afternoon Delight, (curated by Max Henry), Caren Golden Gallery, New York, NY
Double Bind, (curated by Signe Thiell), Kanstlerhaus Bethanien, Berlin, Germany,
traveled to Paula Modersohn Becker Museum, Bremen, Germany
2002 Geschichten (Histories), Salzburger Kunstverein, Salzburg, Austria
2001 Enduring Love, Klemens Gasser and Tanja Grunert Gallery, New York, NY
2000 Presume innocents, L'art contemporain et l'enfance, Muse d'art contemporain de
Bordeaux, France
Die Verletzte Diva, The Galerie im Taxispalais, Innsbruck, Austria
1999 Mugshots, (curated by Saul Ostrow), Atrium Gallery, University of Connecticut
Children of Berlin, (curated by Klaus Biesenbach), P.S.1, Long Island City, NY
Stadtluft. Der urbane Raum als Medium von Macht, Hamburger Kunstverein, Hamburg,
Germany traveled to Museum Morsbroich, Leverkusen, Germany
Dusk, Center on Contemporary Art, Seattle, WA
Full Exposure: Contemporary Photography, New Jersey Center for Visual Arts
Pink for Boys/Blue for Girls), NGBK, Berlin, Germany
Berliner Kindheit, Art Resource Transfer, New York, New York
1998 Pure Essence and Presumed Innocence, Marella Arte Contemporanea, Sarnico, Italy
Love and Desire, Musee de l'Elysee Lausanne, Lausanne Switzerland
The Body, (curated by Musee de l'Elysee, Lausanne), Skopelos, Greece
Private Worlds, Maureen gallace, Aura Rosenberg, Sue Williams, Galerie Tanit,
Munich, Germany
AIDS WORLDS: Between Resignation and Hope, (curated by Frank Wagner), Center of
Contemporary Art, Geneva, Switzerland, traveled to Centro d'ArteContemporanea Ticino, Bellinzona, Switzerland
Presumed Innocence, (curated by Jean Crutchfield), Anderson Gallery of Virginia Commonwealth University, traveled to the Contemporary Arts Center, Cincinnati
1997 Heaven, (curated by Joshua Dector), P.S.1, Long Island City, New York
On the Threshhold of the Visible, (curated by Ralph Rugoff), Johnson Museum of Art,
Cornell University, traveled to Maryland Institute of Art, Baltimore; Art Gallery of
Ontario, Toronto; Art Gallery of Windsor; Virginia Beach Center for the Arts; Center
on Contemporary Art, Seattle; Edmonton Art Gallery; Laguna Art Museum
Gothic, (curated by Christoph Grunenberg), Institute of Contemporary Art, Boston
Someone Else With My Fingerprints (curated by Wilhelm Scharmann), David Zwirner
Gallery, New York, traveled to Galerie Hauser & Wirth, Zurich; August Sander
Archiv; Stiftung Kultur, Cologne; Kunstverein Munich; Kunsthaus Hamburg
1996 100 Photos, American Fine Arts, New York, New Yorko:p>
Delirium (curated by W.M. Hunt), Ricco/Maresca Gallery, New York, New Yorko:p>
Interventions (curated by Thomas Busch), Stiftung Starke, Berlino:p>
The Comic Depiction of Sex in American Art, Lisa Ungar Galerie im Haus 19, Munich, Germany
Model Salon (organized by Alanna Heiss), Clocktower Gallery, New York
1995 In Search for a Storehouse (curated by Piotr Nathan), Nurnberger Kunstverein,
Nurenberg, Germany
Gang Warfare (curated by Michael Corris and Marjorie Myers), The MAC Foundation,
Dallas; traveled to The Independent Art Space, London, England
Club Berlin (organized by Klaus Biesenbach), XLVI Biennale di Venezia, Venice, Italy
The Moderns (curated by Tony Payne), Feature Gallery, New York, New York
Hetrick-Martin Benefit, Paul Morris Gallery, New York, New York
Bettenausstellung (curated by Piotr Nathan), Hotel-Pension Nurnberger Eck, Berlin, Germany
Pittura/Immedia (curated by Peter Weibel), Neue Galerie, Graz, Austria; traveled to
Mucsarnoc, Palace of Art, Budapest, Hungary
Mapping (organized by Peter Fend), American Fine Arts, New York, New York
Verisimilitude and the Utility of Doubt (curated by Bill Arning and Gregory Crewdson),
White Columns, New York, NY
Aura Rosenberg/John Miller, Kunstlerhaus Bethanien, Berlin, Germany
Who Chooses Who, New Museum Benefit Show, New Museum, New York, New York
1994 Sammlung Volkman, Berlin, Germany
Four Walls, Brooklyn, New York
Before the Dawn's Early Light, (basement installation), Kunst-Werke, Berlin, Germany
The Use of Pleasure (curated by Robert Nickas), Terrain Gallery, San Francisco,
California
Jet Lag (curated by Gert Rappenecker), Galerie Martina Detterer, Frankfurt, Germany
1993 Frauenkunst, Mannerkunst, Kunstverein Kippenberger, Museum Fridericianum, Kassel,
Germany
Real, Salzburger Kunstverein, Salzburg, Austria
Go Down Stairs Diagonally (curated by Paul McCarthy), Rosamund Felsen Gallery, Los Angeles,
California
Martin Kippenberger, "Candidature for a Retrospective" (organized by Roberto Ohrt),
Centre Georges Pompidou, Paris, France
Open Air (curated by Andreas Wegner), Bremen, Germany
1992 Eileen Cowin, Aura Rosenberg, Nancy Spero, Roy Boyd Gallery, Los Angeles,
California
Eternal Light (curated by Jan Riley), In Situ, Cincinnati, Ohio
Getting to kNOw You (curated by Christoph Tannert and Dean McNeil) Kunstlerhaus Bethanien
Tatoos, Andrea Rosen Gallery, New York, New York
Nan Goldin, Svetlana Kopystianski, Piotr Nathan, Aura Rosenberg, Werwerka & Weiss
Galerie, Berlin, Germany
The Sexual Self, Galerie Tanja Grunert, Koln, Germany
Informationdienst, Galerie Schmitz, Kassel, Germany; traveled to Kunstlerhaus
Stuttgart; Kubinski Galerie, Koln; Unfair, Koln; Galerie Barbara Weiss, Berlin; Art
Acker, Berlin; Galerie Marc Jancou, Zurich; Hamburger Kunstverein, Hamburg;
Galerie Barbara Gross, Munich; Galerie Anne de Villepoix, Paris, France; Grazer
Kunstverein, Graz, Austria; Goethe Haus, New York, New York
Addressing the Forbidden (curated by Alasdair Foster), Brighton Arts Festival, England
1991 Cannibal Eyes (curated by Ron Platt), MIT List Visual Arts Center, Cambridge, MA
Bruno Brunnett Fine Arts, Berlin, Germany
Presenting Rearwards (curated by Ralph Rugoff), Rosamund Felsen Gallery, Los
Angeles, California
Gullivers Reisen/Gulliver's Travels, Galerie Sophia Ungers, Koln, Germany
Frederich Naumann Stiftung, Bonn, Germany, Amy Lipton Gallery, New York, New York
1990 The Abortion Project (curated by Chrysanne Stathakos), Simon Watson Gallery, New
York, New York; Real Art Ways, Hartford, Connecticut
Viral Infection (curated by Charles Wright, Jr.), Hallwalls, Buffalo, New York
Heart in Mouth (curated by Nick Taggart), Fahey Klein Gallery, Los Angeles, California
All Quiet on the Western Front (curated by Antoine Candau & Girard Delsot), Paris, France
Update, White Columns, New York, NY & Tom Cugliani Gallery, New York, NY
Sex and Language (curated by Chrysanne Stathakos), Garnett Press, Toronoto, Canada
Nahan Contemporary Art (curated by Robert Morgan), New York, New York
Tell It Like It Is, Fiction/Non-fiction, New York, New York
1989 Embracing Mystery (curated by Jude Schwendenwein), Souyun Yi Gallery, New York, NY
American Fine Arts, New York, New York
Fiction/Non-fiction, New York, New York
Erotophobia, Simon Watson Gallery, New York, NY
1988 Reconciling Modes: Painting Between Poesies and Logic (curated by G. Roger Denson),
Jayne Baum Gallery, New York, NY
1987 A Distanced Romance (curated by Bill Arning), Jeffrey Neale Gallery, New York,
Berkshire Art Association Drawing Invitational (curated by Linda Shearer), Berkshire
Museum, Pittsfield, Massachusetts
Benefit show, New Museum of Contemporary Art
New Visions in Contemporary Art: The RSM Company Collection, Cincinnati Art Museum,
Cincinnati, Ohio
1984 4 Painters, Baskerville + Watson Gallery, New York, New York
Cable Gallery, New York, NY
Evolution (curated by Jay Gorney), East 7th Street Gallery, New York, New York
1983 Hallwalls (curated by Claudia Gould), Buffalo, New York
Borrowed Time (curated by Carole Ann Klonarides), Baskerville-Watson Gallery, New York, NY
1982 The Drawing Center, New York, NY
The Edge of Night (curated by Carole Ann Klonarides), Yves Arman Gallery, New York, NY
7 Painters (curated by Ronny Cohen), P.S. 122, New York, NY
Moonlighting (curated by Carole Ann Klonarides), Josef Gallery, New York, NY
Bibliography
2008 Who Am I? What Am I? Where Am I?,Hatje Cantz, photographs by the Artist with a text by Nicolas Guagnini
2007 Barrocos y Neobarrocos (El Infierno de lo bello)/Baroque and Neo Baroque (The Hell of the Beautiful),
Exhibition catalog, DA2, Domus Artium, Salamanca Spain
Neointegrity, Exhibition catalog, Curated by Keith Mayerson
Open ev+s 2007 - A Sense of Place, Exhibition catalog, Curated by Klaus Ottman, Texts by Klaus Ottman and Paul M. O'Reilly
2006 Alle-Gory,Exhibition Catalog, Mandarin Gallery, Curated and text by Lawrence Rickels, Los Angeles, CA
Dark Places, Exhibition Catalog, Santa Monica Museum of Art. Texts by Joshua Dector and Servo
2005 20 Jahre Kunsthalle St. Gallen 1985-2005, Catalog, Kunsthalle, St. Gallen.
Shrift Bilder Denken: Die Kunst der Gegenwart und Walter Benjamin (Writing, Pictures, Ideas:
Contemporary Art and Walter Benjamin, Exhibition Catalog, Haus am Waldsee, Berlin, Germany. Edited by Peter Herbstreuth
Helden Heute/Heros a Jamais, Exhibition catalog, CentrePasqueArt, Curated by Dolores Denaro
Barrocos y Neobarrocos: El Infierno de lo Bello (Baroque and Neo Baroque:The Hell of the Beautifu). Exhibition catalog, Domus Artium 2002, Salamanca, Spain
Werewolf Express, Fanzine, The Zine Unbound: Kults, Werwolves and Sarcastic Hippies", Yerba
Buena Center for the Arts, San Francisco, CA
Blicke auf Carmen (Seeing Carmen), Exhibition Catalog, Landesmuseum Joanneum, Graz,
Austria. Curated and edited by Peter Pakesch and Verena Formanek. Texts by Peter Pakesh, Verena Formanek, Thomas Macho, Elisabeth Bronfen, Anne Baldassari, Dominique Lobstein, Anton Holzer. Landesmuseum Joanneum and Verlag der Buchhandlung Walter Koenig, Koln
Esther Leslie, Radical Philosophy, "Crevices and footholds", review p.59/60, May/June
Maria Brendel, ETC, "Walter Benjamin and Art of the Present Day", review pp.72-78
Claudia Schwartz, Neue Zarcher Zeitung, "Auratransfer, Walter Benjamin als Ikone der
Gegenwartskunst", January 6
2004 Wer Bietet Mehr?, Fifteen Years Deichtorhallen, Benefit auction exhibition catalog,
Internationales Haus der Photographie, Deichtorhallen, Hamburg, p.53
Can Photography Capture our Time in Images, 25 years Bielefeld Symposia about
Photography and Media 1979-2004, Essay by Martin Roman Deppner: Looking
Into the Picture, pp. 90-96, Illustration p.93, Kerber Verlag, Bielefeld
Aufruhr der Gefuhle, Exhibition Catalog, Museum for Photography, Braunschweig,
Kunsthalle, Goppingen, Curated by Barbara Lauterbach with texts by Carina Herring,
Wiebbke Ratzeburg and Annett Reckert. Appelhans Verlag, Braunschweig
The New Yorker, Photograph p. 90, June 28
Robert Nickas, Influence Magazine,
Maternal Metaphors, Exhibition Catalog, Edited by Meryl Chernick
2003 Fast Forward: 20 Years of White Rooms, Exhibition catalog, White Columns, New York,
curated by Lauren Ross
Into the Abyss, Edited by Adam Putnam, Spring 2003, photos on pp. 27 and 45
Permanent Food #10, photographs from "Berlin Childhood"
Hedwig Saxenhuber, Hildegund Amanshauser, magazin 7 Geschichte(n)-(Hi)story, p.62-69
Raimar Stange, Texte Zur Kunst, Heft 49, March, "Auszeiten, Die Austellung "Geschichten"
im Salzburger Kunstverein, pp.194-196
Ruth Noack, Camera Austria, 81/2003, "Geschichten, Salzburger Kunstverein", review p.71-72
Memory (working title), Edited by Carolyn Christov-Bakargiev and Janet Cardiff, Thames and
Hudson Ltd. (forthcoming)
Cabinet, Winter 2002/03, Issue 9, Artist Project: Praxis Dr. Kassendrup, p. 102
Tema Celeste, Issue 95, January/February, "Berliner Kindheit", book review, p.28
2002 Christopher Phillips, Art in America, "Aura Rosenberg at Gasser & Grunert", November,
No. 11, p.158, Gerhard Frommel, Camera Austria No. 79, "Aura Rosenberg: Berliner Kindheit": p.91
Berliner Kindheit, Steidl/D.A.A.D., photos by the artist with texts by Friedrich Meschede, Esther
Leslie, Aura Rosenberg, Nancy Princenthal, Reflections on the mutability of memories and dreams, Art on Paper, Volume 7, No. 1, September/October, Page 112, _____. Zitty, "Fotoband"
2001 Claudia Wahjudi, Brutale Idylle, Zitty Zeitschrift, 5/2001
Matthias Reichelt, Berliner Kindheit, Kunstforum International, Volume 154, April/May
Ronald Berg, Berliner Kindheit in Bildern, Tagesspiegel, January
Berliner Kindheit um zweitausend, Frankfurter Allgemeine Zeitung, January 19, Page BS3
Kindheits Muster, TIP, January
Aids hat viele Gesichter, edited by Frank Wagner, Bundeszentrale fur gesundheitliche
Aufklorung, photo porfolio
2000 Presume innocents, L'art contemporain et l'enfance, Exhibition catalog, capcMus?e d'art
contemporain de Bordeaux, curated by Marie-Laure Bernadac and Ste?phanie Moisdon,
With texts by Marie-Laure Bernadac, St?phanie Moisdon, Bernard Marcad?, Jean-
Charles Mass?ra, Eric Troncy, Joshua Decter, Mignon Nixon and Elisabeth Lebovici
Eva Ekselius, "Jag ar den ar jag", Bang, Feministisk Kulturtidskrift, Photo p.40
Die Verletzte Diva: Hysterie, Korper, Technik in der Kunst des 20. Jahrhundert, Exhibition
catalog, Kunstverein Manchen, Siemens Kulturprogramm, Manchen, Stedtische Galerie im
Lenbachhaus, Manchen, Galerie im Taxispalais, Innsbruck, Staatliche Kunsthalle Baden-Baden,
curated by Silvia Eiblmayr, Dirk Snauwaert, Ulrich Wilmes and Matthias Winzen, with texts by
Christina von Braun, Elisabeth Bronfen, Silvia Eiblmayr, Gilles Deleuze, Georges Didi-
Hubermann, Peter Gorsen, Thomas Lischeid, Kate Meyer-Drawe, Irit Rogoff, Karen Sagner
Dahting, Klaus Theweleit, Matthias Winzen and Slavoj'iek
New Observations, Winter issue, photo inside cove
1999 Grand Street, Volume 69 "Berlin"
Michelle Grabner, "Test Family", New Art Examiner, Vol.27, No.2, Ill.cover, p.20
Claudia Wahjudi, "Rosa fur Jungs/Hellblau fur Madchen", Kunstforum, July/August pp.344-45
Gabriele Werner, "Die Sexualisierung des Madchens als Frau" ,Jungle World, April 18/2
Marius Babias, "Das Dreieck des Begehrens", Eikon, Heft 26/27, p.22-30, Ill.cover
Christian Haye (photo portfolio with text), Dutch, #20 Spring,
Lynne Tillman, "Nude Notes", Art on Paper, Vol.3, No.3
1998 Stuart Shave, "Fusion", I-D, The Forward Issue No. 180
"MAN" (portfolio), ETC, Nr.6, p.12-21
Marius Babias, "Dossier, Porn Rocks", Jungle World, Nr. 32, August 5
Aids Worlds: Between Hope and Resignation, Exhibition Catalog, Centre D'Art Contemporain,
Colors Magazine 28, p.91
Presumed Innocence. Jean Crutchfield with essays by Kathryn Hixon and Robert Hobbs Anderson Gallery, School of the Arts, Virginia Commonwealth University, University of Washington Press Nr.16 "StadtRomantik" Photoessay with text by Claudia Wahjudi, Zitty Nr.17
1996 Marina Rosenfeld, "Johnny Came Lately", LA Weekly, May 24-30
Artist project, Guggenheim Magazine, Summer Issue
Headshots (New York: Stop Over Press), photos by the artist with introduction by John Miller and stories by Lynne Tillman and Gary Indiana
1995 "The Dialectical Porn Rock," (a photo portfolio), Grand Street, No. 53
Pittura/Immedia, exhibition catalog with essays by Peter Weibel and Thomas Dreher
1994 Interview with Roberto Ohrt, Kunstlerhaus Bethanien, July
Timothy Martin, "To Build a Fire," BE Magazin, Vol. 1, No. 1
Yvonne Volkart, "Medusa and Co.," Flash Art, No. 176, May/June
"Double Exposure," organized by Robert Nickas, Bomb, June
Christine Tresch, "Betrug und Selbsbetrug," WoZ, Zurich, May 28
Marius Babias, "Zerstuckelte Liebesakte," Zitty Stadtzeitung, No. 8
1992 Cannibal Eyes, exhibition catalog, MIT List Visual Arts Center, Cambridge, Massachusetts
Aura Rosenberg and Cary S. Leibowitz/Candyass, exhibition catalog, I.D. Galerie
Addressing the Forbidden, exhibition catalog, Brighton Arts Festival
Jean Baudrillard, "Transsexuell," Rogue, No. 16: 16-7.
1991 "Skin" (interview with Jeremy Gilbert-Rolfe), Artscribe, No. 86, March/April
Presenting Rearwards, exhibition catalog, Rosamund Felsen Gallery
1990 Ralph Rugoff, "Body Doubles", LA Weekly, December 13
Nancy Spector, Artscribe, June Roger Denson, Flash Art, May, review
Joshua Decter, Arts Magazine, April, review
Grants
2003 Warhol Foundation, New York, NY
Betlach Foundation, New York, NY
2000 DAAD, Deutsche Akademische Austausch Dienst, Berliner Kuenstler Program, Berlin, Germany
Faculty Development Grant, Pratt Institute, New York, New York
1995 Art Matters Fellowship, New York, New York
1993 Studio Program, Kunstlerhaus Bethanien, Berlin Germany
1990 Fellowship in Photography, New York Foundation for the Arts, New York, New York
Art Matters Fellowship, New York, New York
zdroj: http://www.aurarosenberg.com/bio.html
Aura Rosenberg
kolektivní | |
date of exhibition | exhibition title, place of exhibition |
2004/09/30 - 2004/12/04 | FACE TO FACE / TVÁŘÍ V TVÁŘ: Fotografie ze sbírky F. C. Gundlach / Photographs from the F. C. Gundlach Collection, Langhans Galerie Praha, Praha |
2018/03/16 - 2018/04/28 | Formal Encounters, Galeria Nicodim Bucharest, Bukurešť (Bucureşti) |
Aura Rosenberg
katalog kolektivní | ||
published | title (subtitle), publisher, city | |
2004 | Face to Face / Tváří v tvář (Fotografie ze sbírky F. C. Gundlach / Photographs from the F. C. Gundlach Collection), Langhans Galerie Praha, Praha |