Richard Stankiewicz
* 18. 10. 1922, Filadelfie (Philadelphia), Spojené státy (United States)
† 27. 3. 1983, Worthington, Spojené státy (United States)
painter, sculptor
nationality: American
sex: male
notes:
NK-2016/12 ne
1941-1947 slouží v námořnictví
Richard Stankiewicz
Richard Stankiewicz (1922 - 1983) was an American sculptor, known for his work in scrap metal.
Stankiewicz was born in Philadelphia, but spent his formative years in Detroit. He began painting and sculpting while in the United States Navy, in which he served from 1941 until 1947. Beginning in 1948 and continuing into the following year, he studied in New York City] with Hans Hofmann; in 1950-51, in Paris, he studied with Fernand Leger and Ossip Zadkine]. Upon his return to New York, Stankiewicz joined the cooperative Hansa Gallery; he exhibited there until the end of the 1950s, moving to the Stable Gallery in 1959. In 1962 he left the city for Huntington, Massachusetts. Stankiewicz continued to exhibit internationally until his death in 1983. Today his work may be seen in numerous museum collections, including those of the Hirshhorn Museum and Sculpture Garden, the Smithsonian American Art Museum, the Cleveland Museum of Art, and the Walker Art Center.
zdroj - www.en.wikipedia.org
Richard Stankiewicz
from - to | school, city, faculty, specialization, professor |
1948 - ???? | School of Fine Arts, New York City (New York), Hofmann Hans, *1880 |
Richard Stankiewicz
kniha | ||
published | title (subtitle), publisher, city | |
1965 | Break-up: The Core of Modern Art, New York Graphic Society, Greenwich (Connectitut) | |
encyklopedie/slovník | ||
published | title (subtitle), publisher, city | |
1973 | Od Rodina po Moora (Slovník západoeurópskeho sochárstva 20. storočia), Vydavateľstvo Tatran, Bratislava (Bratislava) |
Richard Stankiewicz
podřazený dokument | ||
published | title (subtitle), publisher, city | |
1998 | ...Naše evropská civilizace se nepochybně zakládá..., Věra Janoušková | |
2007 | Pierre Restany a české umění v letech 1960 - 1970; hledání alternativy nového realismu, Proměny dějin umění, 233-246 |